Saturday, October 3, 2026
How the Eyes of a Mentor Can Change Your Life
Sunday, June 7, 2026
The Chess Players: A Slow, Daily Ritual
Silence and Reflection as a Shared Act of Resistance ⁓
Monday, April 27, 2026
My Special Time for Fabriano in Acquerello
The challenge I set myself? Starting from a life sketch done in a park, in pencil and monochrome. It's one of the things I teach in my studio classes, on Zoom, and in my workshops. Thanks for joining me! I'll see you at my next sessions! Check my Next Events
Sunday, April 12, 2026
Spring moves me, so I draw!
How a return to the basics regenerates the spirit ⁓
Spring truly moves me. On a bright, sunny day, the light radiates pure happiness. Maybe it’s the serotonin boost from those first rays, or the flowers and scents that trigger memories of youth—even childhood. Whatever it is, my first instinct is to get outside. But not before tossing a couple of sheets of paper, brushes, and colors into my backpack.
Yesterday, I took a long walk with no destination in mind and ended up in a small, slightly hidden, and overgrown park behind my house. I sat on a bench and started to draw.
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| Francesco Fontana, Pencil Drawing Outdoor, 2026 |
After seeing Gianni Provenzano’s beautiful work at the Galleria Caravello in Palermo—those beat-up cars and everyday objects I love so much—I felt a sudden, crazy urge for pure drawing: just a pencil and a kneaded eraser!
And so, my informal plein air session on a park bench turned into over an hour of total bliss. A return to the basics that truly regenerates the spirit.
Do you love to draw, or do you feel the need to improve your line work (especially if you paint in watercolor)? Let me know in the comments, maybe I can help you loosen up your hand.
Actually, scratch that... I mean loosen up your eye. Remember: you don’t draw with your hands, you draw with your eyes!
Friday, July 4, 2025
Painting Together: A Path to Self-Discovery
Why Artistic sharing enlightens the journey ⁓
Since early this year, I've been able to use the spacious studios at the academy where I teach as a workspace for my larger paintings
Young artists who are refreshing the tradition of Renaissance painting with contemporary themes, work in this studio. It's incredibly beneficial because there's a constant exchange of feedback and a very fertile intergenerational dialogue. Many ask me for advice based on my experience, but the most valuable thing is the unexpected comments I receive on my works in progress.
I imagined a totally different artist
A new student saw me working on an oil painting (I've resumed this medium along with watercolor) and, looking a me in action on the piece, commented with surprise: "When I saw the painting on the easel (you weren't around), I imagined a totally different artist. Younger, reckless, and defiant. Not the calm and thoughtful man I see now".
Her words confused me; they shook my assumption of knowing who I am. Perhaps there's a difference between the image we project and the complexity of our inner world. My instinctive response was,
"Perhaps that wilder young man lives inside me!"
It's possible that an artist is a vessel for multiple souls, of different ages and moods, which emerge in unexpected ways in their work, even unconsciously. Creating my art among other artists, or aspiring artists, is enlightening for the journey I'm on to. I remember the singer Mika saying, "Today we are all isolated; everyone creates in solitude, and artistic sharing is very rare."
I truly recommend that, whenever possible, everyone works in a collective or even public space. It might require patience and a bit of nerve, but it pushes your art to a higher level.
Happy Art Life! ⁓ Francesco
PS. Had any experience of collective workspace? Share it in the comment below or via email
Wednesday, June 25, 2025
Being an Artist in a Controversial World
Resilience and Authenticity in a Changing Planet ⁓
As I've already written, I find it difficult to activate my creative side these days. Painting, writing, teaching... in short, thinking positive!
Should the Show Must Go On?
I admire those who pretend it's "business as usual." They put on their brightest smiles, express their enthusiasm, sing and dance, have a party. "The show must go on!" While the world is burning around us. This is understandable; it helps keep morale high, makes us feel part of the solution and not part of the problem.
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| Middle Eastern Eyes - Watercolor by Francesco Fontana (c) 2025 |
Today's Meaning is Hidden in the Past
To rediscover meaning and motivation today, I reread old blog posts or review old paintings. As Jerry Saltz says in How to Be an Artist, "In your old suitcase is the truth of who you are." Looking to the past helps me recognize what recurs over time: signs, color, themes, sensitivity. This allows me to get rid of what no longer represents me and helps me be true to myself. By developing this and moving forward, I hope to leave a tiny trace of truth in the world.
Being Proud of Myself
I don't intend to leave this planet too soon, and I plan to create works that I'll be even prouder of. Works that bear witness to my presence in this fantastic and painful, bloody and ecstatic era all at once. And I leave you with a question: shoud I (we) be more radical in our artistic research!
As always, write to me with your thoughts and feelings.
Happy Art Life, Francesco
P.S. More about my artistic statement in this my blog post:
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