Showing posts with label composition. Show all posts
Showing posts with label composition. Show all posts

Friday, December 29, 2023

Masters Who Inspire Artists (Me)

What makes a painter a great role model? ~ 

I am often asked who my reference artists are, great masters of the past and contemporary authors. Not an easy answer, artists in history are endless! And just as many today, when visual access to art is global and often overflowing. I look with admiration at Turner, Monet, Hopper, Fattori, Segantini. But also living artists the like of Dean Mitchell or Sean Cheetham. Each of them has something specific that inspires me and pushes me to learn.

Under the Awning, on the Beach of Zarautz

See more of Sorolla's works

However there is one who somehow represents them all: Joaquin Sorolla (b. 1863, Valencia, Spain). I was blown out at his exhibition at Palazzo Reale in Milan in 2022. It completely overwhelmed me! Not even the visit to the Sorolla Museum in Valencia had such an impact on me. 

Why Sorolla?

Because his work expresses a complete range of fundamental aspects of pictorial art, in his case in oil but not only.

  • The composition of his scenes, often complex, with unusual angles and a combination of figures and landscape, never intimidated by very large size. 
  • The absolute mastery of drawing, which emerges from proportions and anatomy.
  • His tonal strategy and his sense of light. For me his dynamic power surpass Caravaggio, the monument to tonalism.
  • Sorolla's palette is an infinite vocabulary of colours, warm and cool, often high key -- which make his phrasing very rich, like the timbres of an orchestra.
  • Finally his alla prima brushwork, energetic, fat and sensual. It ties everything together in a rhythm and a fantastic dance!

As if that weren't enough, many of Sorolla's masterpieces were painted en plein air. He's not the only artist to do this for sure -- Monet and Cezanne even a little before him. But he worked outdoors on larger formats and in challenging conditions, on the seashore, under blinding light and with water, boats and figures in motion. For days.

He was able to transfer this vibrancy to his studio works as well. 

Studying Joaquin Sorolla therefore means for me studying almost everything about the artistic practice of painting. He   became a model later in my career. This means to me that reference models change over time and are perhaps an achievement of maturity. Just at the stage where you no longer need to imitate them.

Happy Art Life! - Francesco

PS. Sorolla is a genius of  alla prima painting, which was re-actualized by a great personality of recent times, Richard Schmid. The American master who passed away a few years ago, influenced a couple of generations of oil painters around the world with his iconic book Alla Prima.

PPS. There are so many historical and contemporary artists that I admire. I think I will need more posts to talk about it. So be ready by signing up now and receive my (News) Artist Letters!

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Monday, November 6, 2023

The Beauty of Geometry

Why do I paint lot of houses? ~


A student of mine tells me I often paint houses, at least in my demos and en plein air sessions. Figurative is another story. How might this interest you? Whether you are a painter or a collector, this post helps you better understand the composition behind a painting.

The beauty of geometry

My attraction is maybe a reminiscence of when we were kids and used to draw houses with sloping roofs and chimneys. Perhaps what appeals to me are geometric shapes: trapezoid, rectangle or the triangle, also found in the shape of my umbrellas.

Rational forms and line of emotions


Actually my facades are always connected with trees and vegetation, combining geometric shapes with more random shapes, Euclidean rationale with intuitive lines.

Mountains like camels


The placement of elements, their variety, their proportions are a crucial framework for the outcome of a painting. Perspective is also critical. It's a good practice to break curves into segments. Beginners e.g. have a tendency to exaggerate the mountains profile, which often ends up resembling the humps of a camel!

Geometrical shapes in a watercolor by Francesco. Fontana

Geometrical shapes in a watercolor by Francesco. Fontana

I draw a lot of preliminary studies, to make sure that there is a good variety of shapes and an interesting connection between them. Which combined with tonal values establish the weights of the composition.

Paintings of semi abstract realism


Visualizing the geometric boxing in of organic elements is definitely more effective than details. If I have a boat in front of me, thinking of a trapezoid and two ovals helps me in two directions:

-- Control of curves and inclinations
-- Achieve a semi-abstract quality


These compositional principles can be fully appreciated in the beautiful small works available on my website Studio Sale. This selection of demos and plein air watercolors represent my design style to the full. Collect these works at a clearance fixed price thru November 2023. 

Happy Art Life! -- Francesco


Hundreds of small paintings by Francesco Fontana available at the artist Studio Sale