How to design your artwork

Do you make prep drawings of your painting? ~

In all the arts, from dance to cinema, from music to literature, a work is planned, rehearsals are carried out and parts are rewritten before performing it. But many amateur painters are surprised that even in painting it is necessary to do all of this. However, I can't remember of a great master in history - from Leonardo to Hopper - who did not invest in studies and preparatory sketches.

A thought before picking up the brush

This photo it's a good example of the process of composing and designing a painting, regardless of the media we're going to use. Here we see the studies of my student Daniel, which in this case will be developed into a watercolor artwork.

Some steps before making a watercolor (Daniel)

Draw to get into know your subject

At first glance a photograph or life scene may look simple. But it is only by drawing it (therefore observing it in detail) that we realize its complexity. We must learn to simplify it to make it manageable according to our project.

The importance of a tonal scale

We translate the initial photo into a tonal drawing of a credit card size, at most a postcard. Here we are working on a toned paper that corresponds to value #2 in the five-value scale I use and suggest. The value #1 (white) is applied with a dense opaque watercolor titanium white.

These studies give us, among other benefits, these opportunities:

• simplify the subject and crop the framing and format
• consider more design options, for example varying some tones
• establish a focal element (such as the bell tower)

In version A (red dot) the mid field is cleaned of chiaroscuro details. Both the strip of land on the horizon and the sky become lighter (tone  #1). Clouds are grouped up except for a few accents, which will become blue in the painting.

The reference image of our painting

In version B on the right, the light of the clouds is reduced to spots and has a V-shaped direction. The ground on the horizon becomes darker again as in the original picture.

The monochrome preview in watercolor

The two pencil sketches are repainted in a monochromatic watercolor on cotton paper. Black is obtained by mixing complementary colors and dosing the dilution in five degrees. This phase brings us closer to the pictorial stage. Here we consolidate the lighting and atmosphere that we want to maintain in the final color version. Please note that in the watercolor draft A the ground below the skyline is darker than in the sketch. Daniel got 'distracted' by the photo rather than following the instructions implied in his pencil drawing.

 

Another example of value study before painting (Stefano)

The distribution of weights and shapes

The two first steps are very important to get familiar with the subject, both visually (light/dark) and as an anticipation of the type of brushstrokes to use, layering, dampness of the paper and for the edges and effects we desire. The compositional part definitely includes many other aspects, for example the distribution of forms and their weights in the space. Not to mention the color palette and harmony choices. But let's not go into more detail here.

These topics need a longer course to be covered. But you can comment and ask questions here or by email. In the next episode we will see how Daniel resolved his final painting.

Happy Art Life! - Francesco

PS. I you want to learn more about this, ask for a free 20 mins Zoom individual call at workshops@francescofontana.com We'll figure how to plan a set of mentorship sessions. 

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Why Talent is Overrated

Do art students really love painting?

Gazebo - Francesco Fontana, watercolor, 2018

Some time ago I spent an entire morning tearing out about 100 canvases of old studio students and throw them in the trash bin. These were works of students who gave up classes at least a year ago. The fact that these guys left their efforts behind and never showed back to pick their paintings and drawings, was very sad to me. 

Don't tear up that painting!

I thought they don't love what they did. The clearing process involved a review of each of these paintings and drawings and let me tell you, some are more than decent pieces. So I decided to save a bunch of the best ones. Some were confiscate by my 10 yo daughter Flora: don't tear up that dad, I like it, give to me!

So today I've learned that skill and talent don't make you a good painter. Love does.

Thanks for reading. Your comment is very welcome!

Francesco
PS. Of course there are many students around the world who are enthusiastic about their experience with my workshops. And many who love and collect my paintings. 
PPS. Use this Golden Friday week end to make your self a gift at a reduced price! 

Let Me Visit You

Next Custom Workshop: Bali, Indonesia

I am so thrilled to be preparing my travel to Bali, Indonesia where a local group of internediate oil painters is waiting for me next October 14, 2013.

This event is one of the results of my announcement some time ago, when I sent out e newsletter offering custom workshops. In other words I am ready to fly to join groups and art centers around the world -- in addition to my self-organized painting holidays in France and Italy.

Are you a member of an artists club or school of art?

If you are part of an art organization, please consider booking me to teach a workshop next year or further on. It's never too early! Let me visit you at you place. I'll love to meet you and share my method and my experience! Talk to me

I have a talent for teaching. I’ll never stop learning but one thing I know for sure: I know how to share what I know. I got the right words, the timely gesture, the lively example for you to get the insight you're looking for. I believe a master is the one who allows you to become what you are. Empathy first of all: your struggle is my struggle.

Francesco's Floral Demo from Life at the Public Library, Feb 2013

>> Francesco offers a well-run workshop with solid instruction, tailored to suit individual levels – from beginners to professionals. His skill with language makes it possible for a multi-cultural group to share artistically.  I came away with improved painting skills.  Bruce Bingham -- USA / Malta <<

Dynamic Brushwork & Color Mixing are the main focus of my program through demos, individual work plan, assignments and assistance, painting along, general critique and six month personal email follow up. 

Take notice

~ Length can be 3 days or longer, 6 hrs daily

~ Media oil or watercolor at your choice, all level
~ Subjects: landscapes en plein air; still life & floral indoor
~ Fluency in English French and Italian

Hire Me for a Workshop

I'll be available in the USA mid April 2014. Write me a line to make workshops@francescofontana.com to make a plan.

Live in painting ; )) Francesco

PS. If this is the first time you hire me, I am happy to either offer money off my fee, or put on my charge the airfare or alike.

PPS. If you wish to both sponsor the event and attend as a painter, you might come to up with little to zero fee! Learn how. Email me now: workshops@francescofontana.com